© 2009 by A. Roy Hilbinger
Tuesday, March 31, 2009
The Hawk Cafeteria
© 2009 by A. Roy Hilbinger
Sunday, March 29, 2009
Ocean
Saturday, March 28, 2009
Scenes from the Macro-World - Spring In Miniature
© 2009 by A. Roy Hilbinger
Wednesday, March 25, 2009
Theme Thursday -Mineral
Music video: "Earth Dreaming, Part 1" by Steve Roach
Photograph © 2009 by A. Roy Hilbinger
Tuesday, March 24, 2009
Guilty Pleasure
What do I listen to when nobody else is around? Who do I listen to in the earphones so the people in hearing distance can't figure out what I'm playing?
This playlist is just two songs: the album version of "Surrender" and the live at Budokan version of "I Want You to Want Me", among their more iconic songs.
© 2009 by A. Roy Hilbinger
Monday, March 23, 2009
Playtime
Huh! I think I like it better than the original photograph! I know, I have way too much time on my hands.
© 2009 by A. Roy Hilbinger
Saturday, March 21, 2009
Bach Birthday Bash
Today is Johann Sebastian Bach's 324th birthday. Organist, composer, church music director. The man who gathered all the different stylistic strands of the Baroque period and wove them together to bring about the maturity of the music, the "Golden Age of Baroque Music", as it were. And the man who set the standards for Western art music which stand even to this day. The rules of composition, things like harmonic relationships, counterpoint, and tonal center, were all set and standardized by J.S. Bach and are still the standard today, even if it's a standard against which we rebel.
Bach composed for every combination of musical resources available in his time: solo instrument, keyboard (harpsichord and organ), small chamber ensemble, orchestra and chorus with soloists. Personally, I think Bach's greatest writing was for full choral ensemble, orchestra and chorus. His masses, oratorios, cantatas, the two Passions (St. Matthew and St. John), all just soar into the heavens. Indeed, the St. Matthew Passion set the standard for future ensemble composition, and he set that standard very, very high. Mozart's Requiem gets close, as does Beethoven's Missa Solemnis. I think only Brahms' Ein Deutsche Requiem actually reaches that high standard. This is music at its holiest - not in the religious sense, but in the sense of lifting us up, transcending human limitations and carrying us into the cosmos. This was what Douglas Adams meant when he said that Bach's music makes us understand what it is to be the universe.
So in celebration of J.S. Bach's birthday, I give you this chorale from the St. Matthew Passion - "Wir setzen uns mit Tränen nieder" (We sit with tears falling).
© 2009 by A. Roy Hilbinger
Friday, March 20, 2009
Welcome Spring - Jump!
Vernal Equinox, March 20, 2009, 11:44 UT
Photograph © 2009 by A. Roy Hilbinger
Thursday, March 19, 2009
Theme Thursday - Vegetable
Music: "The Garden Song" by David Mallett
Photograph © 2005 & 2009 by A. Roy Hilbinger
Tuesday, March 17, 2009
Ghosts of Newport Past - Irish Spirits in Newport
In honor of St. Patrick's Day I'm going to take you on a tour of the two Irish immigrant cemeteries in Newport. The Irish first came to Newport in the 1820s, as laborers building fort Adams and as miners in the coal mines (long ago played out) in Portsmouth on the north end of the island.
The first Catholic parish in Newport was St. Joseph's, located at the corner of Barney and Mt. Vernon Streets. Let the plaque at the cemetery on that spot tell the story:
In the 1990s a young man on his way to earning the rank of Eagle Scout in the Boy Scouts learned of the cemetery and adopted it as his community service project required for the rank. He gathered a team, and they cleaned the lot, found the stones and started work on returning the cemetery to a more respectable presence. Many of the stones had to be repaired, and local agencies donated the materials and work to create the fence around the cemetery. The current St. Mary's Parish commissioned the Irish Cross which became the centerpiece of the plot. And here's how it looks today:
And here are some of the stones in the cemetery:
This stone is very poignant - the infant children of John and Margaret Calahan, who only lived to 10 and 15 months.
These stones are very much like Quaker stones - very simple. They're adorned with symbols and have actual inscriptions on them, which the Quaker stones didn't have, but there's a simplicity to the carving. These were the working poor, and they had no money for fancy stones. In most cases the parish paid for the stones and their carving.
By now the Irish were well established in Newport, and as you can see the gravestones are much richer and there are many actual monuments.
And this stone for John and Esther Eagan has a feature, shared with many other Irish gravestones, that I found fascinating, the inclusion of the interred's birth parish and county in Ireland.
The showpiece of the cemetery is Msgr. William O'Reilley's monument. There are no dates, just the spire and its carved ornaments, and his name. For being the Vicar General of Rhode Island he's unusually undocumented. He was Vicar General under his brother, bishop Bernard O'Reilley, was interim administrator for the whole Diocese of Hartford on his brother's death at sea in 1856 (Bernard had gone to Ireland to recruit priests) until the appointment of Bishop McFarland in 1858, and remained Bishop McFarland's Vicar General for Rhode Island. But there's no record of him after that; he's not mentioned at all in the records of the creation of the Diocese of Providence under Bishop Hendricken. But he certainly has an impressive monument in the St. Mary's Cemetery.
There are Irish graves in many of the other cemeteries in Newport, but these two are the only specifically Irish Catholic plots in the city. As such they serve as monuments to the Irish presence in Newport.
© 2008 & 2009 by A. Roy Hilbinger
Monday, March 16, 2009
There's Just One Problem With Crows...
Now don't get me wrong. I love Crows. Crows are Nature's born comedians; I can't watch them do their thing without cracking up. Crow is one of my totems; I hang out with Crows, we have animated conversations, and we even play together at times. Crows are my buddies, my psychic twins. But I would never, ever invite Crows to make my home theirs. Why is that, you ask? Ah! Time for another Nature lesson.
Crows roost at night. Not as individuals or as little Crow nuclear families, stopping at the nearest tree to rest for the night. Oh no, they roost en masse, all the Crows in a particular territory, all in one place. We're not talking flocks here, we're talking hordes. We're talking "the buffalo blanketed the Great Plains before the coming of the white man" sized populations, literally thousands settling in the trees of one block, maybe two. They descend like an invading army. They are an invading army.
They're noisy. They settle into the trees in the target area around sunset and get to squabbling, fussing, telling jokes and passing them up and down the line, laughing, cursing, and just generally being vocal. And being loud about being vocal. And even after they settle down and drift off to sleep, there are still some holding late-night conversations. Even the sleeping ones make noise all through the night, chortling and chuckling in their sleep, whoofing, sneezing, burping, cutting Crow-farts. A roosting horde of Crows is never silent. And then, about an hour before sunrise, they wake up and hold morning services, chanting to the Crow God, in unison, back and forth, call and response, this group over here taking a chorus, then that group over there. This goes on for an hour, before sunrise, while you're still trying to grab that last little bit of sleep. and at sunrise they scatter to the four winds, yelling and chattering all the way.
Roosting Crows are messy. When they settle onto their branches they start preening. En masse. This lets drop a veritable blizzard of worn out feathers, down, seed husks (food spillage; these guys are really sloppy eaters), dead skin, and Crow dandruff. Unhygenic and indescribably disgusting Crow byproducts fall from the trees in drifts to settle on your lawn, your garden, your outdoor furniture, your house, and your car.
But it gets even worse. Because, you see, Crows crap. All night long. Also on your lawn, your garden, your outdoor furniture, your house, and your car. Unfortunately, not only is this unhygenic and disgustingly filthy, but Crow crap is the most corrosive bodily fluid known to science. It eats the paint right off your car, your house, your nice black wrought iron garden furniture. It'll permanently stain (as in being burnt on) any wooden surfaces like picnic tables, park benches, and cedar shingles. It eats vegetation and renders yard and garden soil acidic, making it unable to support growing organisms.
I've seen whole neighborhoods totally devastated. A one-night stay is disastrous; if they settle in for a week, the place looks like the countryside around the Somme after the invading German armies successfully bombed the allies out of their trenches - burnt tree trunks, shells of houses, cows and sheep feet up in the fields. Its not a pretty sight.
You can take preventative measures. Here in Newport various institutions have installed sound systems which play a "birds in distress" soundtrack here and there in the city, which they turn on about an hour before sunset and play until about an hour after that event. The soundtrack is comprised of clips of various birds screaming in terror, or screaming while being eaten. This gives the impression that this is a very unfriendly environment for birds, and the Crows go look for a less stressful area to sleep. But this is only done around the public parks (so that you'll actually want to sit on the park benches) and various churches and other public venues. If you live back in the residential neighborhoods, you have to fend for yourself. Good luck!
So my advice is - no matter how much the sight of Hawks dining on songbirds offends your sensibilities, DO NOT invite the Crows in to drive them off. The resulting devastation will ruin your life, leave your neighbors in an uproar, and cause your property values to plummet. You'll be the most hated person in your town or city for having opened that particular door. You may even end up swinging from a lamppost. It's not worth it!
© 2009 by A. Roy Hilbinger
Sunday, March 15, 2009
A Sunday Ramble
More signs of Spring: the Pussy Willows are starting to sprout catkins. I saw these alongside the road on Ruggles Ave. and ended up having to tramp through some brambles to get a good macro shot of these.
I caught these Mute Swans in mid-preen out on Gooseneck Cove at low tide. This is one of those instances when I took a lot of shots trying to get a decent pose. I was trying to get a shot with both of them having the curved neck. Out of close to 15 shots, this was the only one that fit what I wanted.
Finally, I took this shot looking north up Gooseneck Cove from Ocean Drive. A nice long-focus shot looking over a sinuously curving and recurving stretch of water.
© 2009 by A. Roy Hilbinger
Saturday, March 14, 2009
All the little birdies go "tweet, tweet, tweet..."
At the south end of the Cliff Walk is Bailey's Beach, 2/3 belonging to a private, very exclusive beach club called the Spouting Rock Association, and 1/3 a public beach which we all call "Reject Beach." I couldn't help taking a picture of the cove the beach sits on; look at that blue! My goodness, it almost looks tropical. Heh, heh! I wouldn't jump in, though; the air temperature was around 42ºF/5ºC, and the water temp was 38ºF/3ºC.
© 2009 by A. Roy Hilbinger
Friday, March 13, 2009
Back to Birds
© 2009 by A. Roy Hilbinger
Thursday, March 12, 2009
Theme Thursday - Animal
This Llama lives on the Hammersmith Farm in Newport. Hammersmith is an extension of the Swiss Village Farm Foundation, which gathers, protects, and preserves heritage breeds of farm animals. The llamas actually serve a purpose beyond preservation - they protect the sheep and goats from coyotes. They have quite a kick, and no self-respecting coyote will be dumb enough to mess with that!
This Shetland pony is part of a herd on Hammersmith Farm. When these cute little buggers wander up to the stone fence, traffic stops on Harrison Ave.; everybody pulls over to come pet the little cuties. But... DO NOT FEED THEM! The SVF Foundation is very strict about this. But petting is fine. This little guy wasn't gonna let me stop. That look is one of reproach because I stopped petting to take pictures.
Yes, friends and neighbors, Eeyore is alive and well on Hammersmith Farm. This fella wasn't much bigger than the Shetlands.
This young White-Tailed Deer was wandering around in the salt marsh on Gooseneck Cove last Summer. When I first saw him, he was trying to play with a Great Egret, who was really annoyed at being interrupted while poking around for a meal on the mud flats. When the Egret finally flew away, the deer noticed me and got curious. Not curious enough to come too close (I still had to get this shot with the telephoto), but certainly curious enough to walk back and forth to eye me from several different angles. This was a yearling, so I may have been his first experience with a human, hence the cautious curiosity.
And finally, we have this Green Frog in one of the swamp pools in the Audubon Center in Bristol, RI. I was hiking on the East Bay Bike Path last September, and the path passes through the Audubon Center. I always stop at this point and go walk down their boardwalk into the center of the salt marsh, but this pool lies along the bike path, and I kept hearing the short, characteristic bark of these frogs, so I went looking. And there it was, posing for a shot!
And to wind up this little Theme Thursday excursion, I'll continue my habit of adding a YouTube video. This week it's the adorable Miss Shirley Temple singing "Animal Crackers In My Soup" from the movie Curly Top.
Photography © 2007 & 2008 by A. Roy Hilbinger
Wednesday, March 11, 2009
Playing On a Rainy Day
There you have it, some rainy day amusement!
© 2009 by A. Roy Hilbinger
Tuesday, March 10, 2009
Glimpses of Spring
But we are finally getting some signs of Spring, and I found some on the way to the grocery store this afternoon.
One of the definitive signs of Spring coming around here is the return of certain migratory birds, and the House Finch is one of them. I saw my first House Finch of the year today on Rhode Island Ave.
Of course, we have Cardinals all year long, but now the males are singing their vast song repertoire instead of the short, shrill chip, chip they scold us with in the Winter months. This one sang to me for quite a bit, and stayed right there in his tree, determined not to be chased from his territory.
The early Narcissi are starting to come up, most notably the Crocuses, but here I found the Crocuses scattered among some early Snow Drops.
But the surest sign of all that Spring is just around the corner, for me, is the blooming of the Witch Hazels in a garden along Old Beach Rd. Technically, Witch Hazel is supposed to bloom in October, but these always bloom in late February and early March every year. Most of the trees bloom yellow, as in the shot below, but they have one tree that blooms red, seen to the right here.
© 2009 by A. Roy Hilbinger